What Highland is doing with Version 2 is it is now trying to replace your preferred text editor. It wasn’t great, but they are trying to change that with Highland 2. I would occasionally use Highland 1 as a writing tool, not because it was brilliant, but because it changed it up a little and I could get a real time look at the formatting as I went while still writing in easy-peasy Fountain. It was just a magical conversion tool that I only had to use once I’d written the work - in Fountain - using either Scrivener, Ulysses, Byword, iAWriter, OmWriter, you could use a basic web based text editor on a Chromebook - whatever your drug of choice is (and I like all of them for different reasons) all strung together on a single file through the magic of Dropbox or iCloud - I could do an easy Ctrl-A / Ctrl-C from one of those programs (if I don’t want to use the export tools) and a Ctrl-V into Highland and wallah: formatted screenplay. What made Highland 1 so amazing was that it was almost invisible. I’ve been told they are going to come out with custom templates soon which will address this. Plays have no industry standard typeface. They also stopped letting you choose Times New Roman for play script mode, which I can’t understand. But their tech reply was kind and prompt and thorough. Let me also say that there are still bugs in Highland 2, specifically with dual dialogue in Play Script mode, which is a real bummer. At a certain point you’re just going to have to splurge on the software, clunky as it is. #WRITEITNOW VS SCRIVENER 2017 SOFTWARE#The software is industry standard and some producers may even want the. Let me start by saying that almost everything I write ends up in Final Draft at some point. But as I began playing with the features I regretted that I was not one of the Beta Testers… So when Highland 2 dropped I didn’t even skip a beat, I bought it from the app store the first week it was available. But I continued to advocate because it made the writing process so much more fluid than anything I’d ever come across. Some have bit, some balked at the learning curve (which really takes about ten minutes for such a great game changer). I’ve tried to convince other screenwriters to use Fountain syntax and Highland. I’ve used them to write features and treatments, countless one acts, spec pilots, episodes, plays, and work that never went anywhere, work for writers groups, and more. In that time I’ve used it to write a lot of paid, and a even more unpaid, work. I found Highland and the Fountain markup syntax about four years ago.
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